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Friday, February 5, 2010

How to book discount hotels in New york city

One of the best discount hotels in NYC is the Chelsea Savoy Hotel, which is a real bargain when you stay in the quadruple room. This room can accommodate four people and costs as little as $ 145 to $ 225 per night. It is conveniently located near several meters, nightlife and dining, the rooms are very comfortable, and the rate includes a continental breakfast. This is just one of the hotels in New York, and this shows what kind of clean and safe accommodation can be found for under $ 150, if the traveler is not expected to pay exorbitant prices. Staying in hotels in New York is a sure way to save money.

Make use of Discount New York Hotels

Making use of cheap hotels in New York ensures that the traveler does not have to burn a hole in your wallet. The above example illustrates that, and there are a variety of hotels in NYC available. It seems pointless to visit a city like New York and have to spend their travel budget of the whole property in a unique hotel, specially when there is so much to see and do.




Budget for the Discount New York Hotels


When budgeting for a stay in cheap hotels in New York, the traveler must seek a budget of about $ 100 - $ 150 per night, preferably double occupancy. However, if this is still out of budget hotels in New York, then you might consider staying in a hostel in New York. These are used by backpackers and young people around the world and these accommodations are more than enough cheap.

Discount hotels in New York in Greenwich Village

There is a very good cheap hotel in New York in the heart of Greenwich Village, the Larchmont hotel, although the bathrooms are shared in this New York hotel discount, which offer quality services at affordable prices. Each room has its own bathroom and well furnished. Each room is unique, has a television, air conditioning and all normal services. There is also the added convenience of being fitted with a cotton tunic and a pair of slippers. This hotel costs $ 70 - $ 125 per night and this price includes breakfast. Public transport is allowed to work in the city and nearby are able to explore Little Italy, China Town and other attractions in the East Village. The Sohotel in lower Manhattan also allows travelers to stand in Greenwich Village and Little Italy.

New York is an expensive city, but cheap hotels in New York come fairly easily with the right research. Stay away from the periphery of the center and be sure to find hotels in New York that will meet your budget. While Midtown has some of the best attractions including Broadway, Times Square and Fifth Avenue, the extensive public transport system that is available in New York will give these attractions. Most of the staff of cheap hotels in New York will come out of their way to ensure you have a pleasant stay and offer tips for saving money on restaurants, shopping and entertainment.

How to Car Hire Cheap in Germany

Monday, February 1, 2010

Budget Travel In New York City

The area of New York is one of the largest in the world. With nearly 8 million people are in New York alone, with less than 900 square miles radius, is the densest city in all of North America! After a much-anticipated debut we finally went to the Big Apple, and we were so glad that I could barely contain ourselves. Going there has been a childhood dream for us since we decided to be world travelers and see everything that the world has to offer.

The people, the lights of Times Square, Rockefeller, everything seems so exciting! This produced a big question whether What to do? What event in New York to pick up? Well, I share with you some travel tips for New York that will not break the bank! These are all an incredible experience and I would suggest doing them all if possible. Note that there is no shortage of things to do in New York. You will never have the opportunity to do everything, so do what you can, relax and enjoy what this wonderful city has to offer.

1 New York comedy clubs in the city: This is perhaps the best I can suggest if you like any comedy at all. It really works well because they have street vendors in the middle of Times Square, which does not even have to look or try to find tickets. They literally just flag down and give a very good price (only paid $ 20 for both) on the condition that you buy 2 drinks at the club. The good thing about their special, for those who do not drink alcohol you can buy any drink of your choice. Soft drinks and water were accepted and so we really can appeal to everyone who enjoys this kind of thing and the cost is very low for the reward. It was really a great moment, the comedians were fantastic and we were very glad we decided to go. Highly Recommended!

2 Times Square: I realize this must be on top of all "list", but really is an amazing spectacle. This experience is something I will never forget. The lights, people, flags, did not realize how crazy it is until you're there. I must have seen Times Square on TV a million times, but honestly it really is not the same. Spend a little time there to take in the atmosphere. There are plenty of nice places to eat but the prices of their novelty restaurants (Hard Rock Cafe, ESPN Zone, etc) are very expensive. If you want something with a very good price, check out the side streets and find the local pubs. I really recommend going at night to see it illuminated. A note to those who absolutely hate crowds of people, if you do not go to Times Square on a Friday night or Saturday, when most active. We went to both Saturday and Sunday night ... Saturday was the chaos, and Sunday was very nice and quiet in comparison:) Anyway, I enjoyed both of them in different ways.

3 Rockefeller Center: We had the pleasure of going during the month of December, so that experienced during the Christmas tree and skating rink all done at Rockefeller Center. This is also the home of the famous studies NBC (Costs $ 18.50 for the trip).


4 Central Park: One of the most famous parks in the world and the most visited park in the United States, Central Park is a wonderful place to spend an enjoyable day. Central Park is actually bigger than 2 of the smaller nations of the world, Monaco and Vatican City.

5 Consult a local New York Event: Take in a ballgame, a musical, or something in the theater! New York, really has much to offer, no matter what your hobbies or interests? You can usually find something very reasonably priced as well, depending on what you are after.

I realize that most people, New York, tends to be fairly expensive, but with these travel ideas can go and hang out really great and still not spend too much money. There is much to see, if only going to see the monuments and places like Rockefeller, Central Park and Times Square are well worth it! I really enjoyed my time just walking down the streets and taking in the atmosphere.

If you're planning to stay in Manhattan for a week or so, I suggest picking up a copy of "The New York Pass, spend the week and do everything possible. These passes are actually a very reasonable price (from $ 55.00 a day and only $ 139.99 for a period of 7 days per person) and you get Free access to literally almost everything you could want in New York . Here's a glimpse of what is here. Note that you are only a quarter of things without ever, even including parts of other discounts and special offers.

Central Park Zoo
CNN Studio Tour
Empire State Building
The Madison Square Garden All Access Tour
NBC Studio Tour
New York Aquarium
New York Botanical Garden
Radio City Music Hall Stage Door Tour
Rockefeller Center Tour
Statue of Liberty / Ellis Island Ferry
Suede Lounge (VIP nightclub access)
The United Nations Tour

Well worth the money if you plan to do lots of sightseeing, museums and tours.

Saturday, January 16, 2010

Travel 15 museums in Boston

Travel 15 museums in Boston

I love art. When and where did that start? At school? At home? In books? For me it began when I was a child in the 1950s and '60s, before and during my adolescence. The primal scene was divided between two museums in Boston, where I spent a long time. I visited two again last week to check the memory with reality and got a surprise: sometimes coincide.

I come from a family art lover. Winter Solstice Saturdays, muddy and short in New England, were days of museum. Our pillars are the Museum of Fine Arts in Boston and the Isabella Stewart Gardner Museum, close to each other at Fenway, an arm of the river and parklands Olmsted. There were initial hopes that the area would attract wealthy residents, they become fashionable, but he did and museums were a little left there.

Looking at art in a sustained manner, it would be a curious thing - odd, not bad - for a young person to do. This implies a certain amount of just staying still, perhaps art exotic names an appetite for specific language and terms, and an ability for imaginative projection legible to participate in stories, not just receive.

That was O.K. It meant they were quiet. In the 1950s the preblockbuster pedestrian traffic was light and the number of small guards. I knew them knew me. And I knew my way around. It might be a day or so in mine does not, and I feel good.

That said, I think that first got hooked on museums as do many children, through emotions and Egyptian art.

The doll-size wooden models of daily scenes stored in the tombs, making it seem as if, for the Egyptians, eternity was an endless game of playing house. (You will find nearly a hundred of these miniature sculptures, all belonging to the museum and above all to see for the first time in a special show called "Secrets of the Tomb 10A: Egypt 2000 BC)

Why? On the one hand, the Museum of Fine Arts, a ton of it, the largest collection outside of Cairo. In 1905 the museum had partnered with Harvard in archaeological excavations at Giza, after reaching a "divide the spoils against Egypt: half of what was excavated would stay there, the rest would go to Boston.

And then there were the mummies, ready, as I remembered, in a space cryptlike. They are probably the real reason Egyptomania preteen. They are not art, not objects: they are the bodies, and for many children to give a fascinating first encounter with the physical fact of death. They did it for me and it took years before he could go beyond it to see how Egyptian art, especially the irrepressible hunger for life.

Treasures wine, are now seen as magnetic, and some of the same way as they did when I was 10. Of all the art of ancient Egypt is particularly modern, even futuristic, or so I thought. With their figures ordered and confident smiles, the ruler of the Old Menkaure and his wife, in a portrait carved a reputation, it seemed to my parents' friends who come to enjoy cocktails, straight from a spaceship.

The galleries of Egypt were an immersion environment, but they were not alone. There was also the chapel as a venue for the exhibition of 12th century frescoes in the apse of the church catalana.

For me, individual paintings were worlds within worlds that really mattered, what I wanted so badly so early. Mid Rogier van der Weyden-15th century "St. Luke Drawing the Virgin and Child" was a favorite. I looked endless, not the subject, but because every detail is specific and complete: the main figures in a crowded room clean with a touch of adjoining rooms and a garden beyond, the city towers, a canal or river that flows to the skyline.
Travel 15 museums in Boston


The main image, a giant of Jesus with a sad face and long fingers, oddly, seems to change shape and dimension before my eyes, swelling of the dome, floating free of it, flattening and tipping forward as if to lock in the room. How, I wondered as a child, artists receive no such effects of plaster and paint? I do not know, but the effects work, painting - protected with a solution of lime and parmesan cheese when fresh arrived from Spain in 1919 - is still fresh.

This picture showed me what the outlook was. And she taught me what art, specifically painting, was or could be: a realization of order, a universe that could, if only to look, move and live where he could establish a life, to live an ideal.

I was attracted to the psychological drama. But at the same time he retired in the opposite direction, which is why so often ended in the Japanese Buddhist Hall, a kind of minitemple lined with sculptures. I would say that my time spent there as a formative experience of Asia (later studied Asian art in graduate school), except that the idea of Asia has always been the case both in the air in Boston, a port city with a history 18th century in China's trade links and 19 century in Japan.

The art also held mysteries restless, the seeds of a moral and emotional education. I remember again and again "by Velázquez Don Baltasar Carlos with a Dwarf." The prince golden blond boy in the dress sewn to the commands of the image, but the most interesting for me was the second son, who was not a child - or was it? - With bristling, white apron and slack, cautious sideways glance. What was this match on? I did not know, but there was sadness.


Although I did not know, was sharing the galleries of Japan with the spirits venerable Boston Asiaphiles all.

There was Edward Sylvester Morse, a zoologist who in 1862 went to Japan to study brachiopods and ceramics accumulated. And the art historian Ernest Fenollosa that while teaching economics at Tokyo, snapped the Japanese art, in a frenzy of modernization, were wasted. And William Sturgis Bigelow, a Boston Brahmin on a spiritual quest, which helped buy many of the monumental Buddhas around me.

The Museum of Fine Arts has been through plenty of both and is in the midst of a big change now, which may be why it seemed a bit discombobulated last week (although some of that may have been me trying to age find again). In November the museum opened a wing dedicated to contemporary art and the Art of the Americas. In the 1950s, and even in the 60s, the farms were contemporaries, so I was aware, fairly low. No more. The Art of the Americas as a multicultural category, there were in the late Victorian Gilded Age-a-museum of my youth.

You'll find the names of these men on the labels in the galleries of Asia, along with the collectors and students of Charles Goddard Weld, Denman Waldo Ross and Okakura Kakuzo. I know about them now and its local resonance continuing. Boston has a tenacious cultural memory. To a degree that would surprise and perplexity to New Yorkers, Victorian life in the city and its arts institutions, even after decades of changes and updates.

I do not forget that the museum? Most of what I remember is still there, even the quiet, had the Buddhas and mummies myself. But now there's more.

Talk about walk-in environments. This was an exercise in installation art before the term was invented, postmodern before postmodernism, a total of meticulously custom art work. It was designed to remain so. From Gardner - who died in 1924 - provides that if a single object as well as suppression or relocated, the lot was auctioned.


I was a teenager. I already knew the museum had walked its rooms. For me it was a wonder cabinet, exactly exciting for its mix of images and styles without limits, an abundance so relentless that there is a single piece never came fully into focus, everything was more or less on par with everything else .

In any case, if the end of Victoria-to-the Golden Age is what you want, the Isabella Stewart Gardner Museum is a five minute walk, a time capsule of an era and inviolate personality, and conceived as such. The details of construction in the late 20th century are often told. Isabella Gardner was a New York City, born in Boston, with decent luck, shrewd advisers (chief among them Bernard Berenson), the eclectic tastes, personal effrontery and belief in the more is more.

Thus equipped, they patched the museum, which was also home, of countless architectural fragments to create an inside-out Venetian palace. Then, packed to the ceilings with Renaissance paintings, Roman sculptures, Rococo furniture, modern design, which is medieval and gossip in Asia, each placed in demanding a piece of mosaic.


It's easy to forget, given the museum that survives, how exciting its creation must have been, with new pieces are constantly sending out waves, fresh harmonies and increasingly intricate cross references throughout the set. You still get an impression of fluidity and the growth of the large central courtyard, with its glass roof and seasonal plants. The first sight of him and the smell of damp earth takes me back instantly to a time decades ago when I went cold at Fenway in the eyes of nasturtium spilling from balconies of the courtyard.


The purpose of art is less important than the experience of art.

That experience begins the moment you see the courtyard and intensifies as you walk down the stairs to the first Italian village. It is hard to miss the painting of Piero della Francesca of Hercules, looking buff and eyes as a male model. Somewhere - but not in the gallery, as there is no label - may have learned that this is only cool by the artist in the United States and coming from a wall of his house. Why has painted? Nobody knows. Why Gardner got a gallery of Simone Martini caste, dressed in layers of the saints? Nobody really knows, although the game of the flesh against the spirit, Classical-against-gothic feel subtle and intelligent.

The lighting is a problem here, a frustrating mix of darkness and glare. But that was what I wanted to Gardner, these galleries were not connected to electricity in their lifetime.

Not all his pictures, I came to learn, are fabulous. Some are better cast in the shade. When there was a winner, however, she knew what to do. Installed near a window, even if this puts the painting out of sight, as in the case of death "by Fra Angelico and the Assumption of the Virgin", a concert of little blue and gold, hung on a corner beside a fireplace.

Certain things were not in those graphics staff, because everyone knew they were great, and Rape "by Titian in Europe." I was not initially clear what was in it (big lady, cherubim, frightened bull), I found out later. The gardener, as if to finesse any confusion, which now uses the title "Europe". He preferred a painting nearby, the more modest "Christ Carrying the Cross", but slipped its attribution to Giorgione follower of Bellini.

Once he is there, it's yours, your secret. The whole place is thus a path of discovery, and regulars have their own mental maps. When he was 15 years or less, mine included a pair of Han dynasty bronze bears (Gardner, who knew all the Buddhists of Boston, has a small collection of Asia), a drawing of Michelangelo's painting of Bartolomé Bermejo Santa Engracia and Matisse.

In the normal museums, a demotion probably a painting on the ice. In the context of Gardner his condition has not changed much because, like other pieces in the collection, he has a personal story. The box arrived in Gardner, just before her husband died and she became a shrine to his memory, always keeping a cup of fresh flowers - violets in the season - in front of it.

They are still there.

But unless someone goes to court and annul the will, the museum saw first half century ago is the same as would be if he were about half a century. I will not be, but a boy, wandering into a winter afternoon, and light, smell the earth and looking - really looking - with love in her eyes.

I have come to take the painting as a positive lesson in the politics of charisma. I have also learned that time can be hard to spell. On my visit last week, sections of the museum full of unidentified objects seemed more dimly lit attic of the palace. (Berenson's wife, Mary, once in front of a junk shop.) The Dutch called room seemed especially sad, decorated with empty boxes awaiting the return of the paintings - "The Concert" by Vermeer, Rembrandt Storm Sea of Galilee "- stolen 20 years ago.

When I was young, I thought that Gardner was the most glamorous place that was. Now I see it is as cowardly as it is stylish. And, on the wishes of its founder, is among the pages of history as a dried flower. This may not be so bad. In New York - capital of cosmetic improvement - it would be. Boston is different, though even here there is pressure to keep moving, than a peripheral way Gardner is doing: a new wing designed by Renzo Piano, is underway.

But as you turn the vacuum frames and head towards the stairs you see another Rembrandt, a self-portrait of principles, a pastel image of a face, an old-fashioned kind, with the aid puffy hat and some background lighting, has become a VIP It's a wonderful picture, and doubly wonderful to be where he is kooky in this house full of saints and rickety chairs, and John Singer Sargent.

Wednesday, January 6, 2010

Where Best Pizza in New York City

It's hard to imagine a city that is famous for its crime, drugs and the number of homeless on the street could be something good out of it. However, most people will say that New York has the best pizza. To be more specific to New York has the best thin-crust pizza and Chicago has the best deep dish pizza.

Little Italy and Brooklyn are home to two of the best pizzerias in New York are City.M OST family business who have ethics.They old good use of both coal brick ovens swear is the secret of his smoky crust.

Some families Italian Americans have been living in New York from their grandparents or great-grandparents came to the U.S. Italy. Some of these families took a risk and opened his own pizzeria. Some succeeded and others not. Most of them however, brought their traditions outside the house and put them in their restaurants. These are the people who know they make a good pizza is a skill that requires practice. To practice making each foot as if it were a masterpiece of painting that comes and pride in their work.

If you do not finish your cake, some restaurant owners can be very insulted while others offer to wrap it for you and whisk them away before having the opportunity to say no.

So it is a high Italian population why New York City has the best pizza? There are some really good pizza places that are not owned by Italians and they still have some great pizza. So what could make the pizza in North Carolina the best place?

Many people say it is hard water that does. Any good pizza maker knows to use only the best gluten flour that is high when it comes to pizza. They are mixed with tap water and some swear that tap water is what makes the pizza taste so good. In fact, there have been some cases where a pizzeria owner moves away from New York to South Carolina and think they've found a great opportunity to open a pizza and boasts that it is New York style pizza.

However, once you start making pizzas, they realize something is off and not right. Most of the time they reach the conclusion that they need water for the city of New York and start making frantic phone calls to friends and family to get some water from New York sent to them.

Nobody knows exactly why water works so well. It could be the chemical composition of water that helps with the flour. Many people doubt that water has something to do with it. However, if you were to ask any baker who no longer lives in New York, if your pizza out of the same as before, it is likely that he will say no.

New York City is home to many things, is home to Broadway, Times Square, Rockefeller Center, and MTV. Now we can also say it is the home of the best pizza.